Category Archives: Art

Windows

oil painting of the forest outside

I stare constantly at the trees outside, grey branches woven and netted — and finally I bring them into the house with paint, using the brief light while it’s here.

This photo was edited to put light on my painting.

Happy Solstice!

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Exquisite Corpse animation

This video was assembled by the New Zealand animation house Cirkus, and it’s actually a quilted-together work of a number of animators and writers. The phrase “exquisite corpse” refers to a kind of artwork where many people collaborate, improvising together, each person taking up the tale where the last one left off. (Here’s a group of exquisite corpse drawings done together by famous surrealist artists. I used to do a variation of this with my two daughters when they were little, and we used to call it the Doodle Game. More about that on a different day.)

Here’s a brief explanation of the phrase “exquisite corpse”, quoted from a book called Dada and Surrealist Art, by William S. Rubin:

Among Surrealist techniques exploiting the mystique of accident was a kind of collective collage of words or images called the cadavre exquis (exquisite corpse). Based on an old parlor game, it was played by several people, each of whom would write a phrase on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for his contribution.

The technique got its name from results obtained in initial playing, “Le cadavre / exquis / boira / le vin / nouveau” (The exquisite corpse will drink the young wine). Other examples are: “The dormitory of friable little girls puts the odious box right” and “The Senegal oyster will eat the tricolor bread.” These poetic fragments were felt to reveal what Nicolas Calas characterized as the “unconscious reality in the personality of the group” resulting from a process of what Ernst called “mental contagion.”

This playful concept is combined here with animation, which is one of the freshest art forms going right now. Animation work posted online allows an original piece of artwork to be distributed free to an unlimited audience. Because of the internet, all of a sudden art doesn’t have to pass muster with the gatekeepers. It doesn’t have to be represented by a gallery in order to find a following, but instead the intimate relationship between artist and audience which existed for thousands of years is recaptured.

There are some animators out there doing serious art, if a form so lighthearted can be called serious. Animation is fully as serious as oil painting, and maybe more able to express the real human condition. There’s just something about movement which captures the fragmented, momentary quality of actual life.

In the video posted above, apparently seven writers each contributed a chunk of the story, and the animators at Cirkus brought the story alive. I’m truly thrilled by the creative vitality which is nurtured by the internet.

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Dotty

Yayoi Kusama's infinity mirror room installation

Yayoi Kusama's infinity mirror room installation

I’ve just discovered Yayoi Kusama, born in 1929 and still producing important work at the age of 80. Plagued all her life by hallucinations and mental illness, living by choice in a mental hospital… and yet last year, one of her works was sold by Christie’s for over 5 million dollars — a record for a living female artist. And three years ago, she became the first Japanese woman to receive the Praemium Imperiale, one of Japan’s most prestigious prizes for internationally recognized artists. These facts are from the lovely Wikipedia entry about her, but if you want to truly get a feel for this artist, watch this video:

I’m enthralled; to be able to express one’s vision with such single-minded profusion! Passion, carried out so masterfully in spite of the fact that she was fragilely perched at the edge of consensus reality. I found out about her on this interesting art blog..

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Painting out on the cold beach

first-day-of-otter-cove-painting

The painting is about one-quarter complete.

I think it’ll take about four painting sessions to finish the piece. It’s small, only about 5 inches by 7 inches, but it’s so cold outside that I can’t work long enough in any one session to cover very much canvas.

I’m starting to feel strongly about NOT using a camera to get between me and what I paint, even if it’s hard to work outdoors during this time of year. As much as I love my new camera, it seems crucial to recognize when not to use it. When I paint from photos, the painting doesn’t have a life of its own. It’s certainly easier to paint from a still image that doesn’t move around, working in a warm room, but I’m determined not to let myself backslide into that.

I’m about one-fifth of the way into a portrait of a nine-year-old neighbor as well. That’s a different kind of challenge: I can work indoors, but I have to interact with my subject to keep her comfortable and help her learn to sit still. I won’t post that work here, or at least not unless her parents feel fine about my doing so.

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Frozen in place

One of the ornaments I sold at the crafts fair

One of the ornaments I sold at the crafts fair

The north wind has us in its grip, and we keep inside as much as we reasonably can. The work on the treehouse has halted entirely, because our fingers and hands wouldn’t cooperate if we tried to be out there unrolling roofing materials, or up on the tower in the wind trying to nail shakes on. The suspenseful part is whether or not we can get the roof closed in before this dry northeast wind encounters a warmer air mass. Generally these frigid blue-sky days give way to something falling out of the sky, and the world goes back to being sodden and grey.

Anyhow, I painted a bunch of maple branch slices and strung wire through them for Christmas tree ornaments. It was a fairly last-minute project, just to have a table-ful of something to sell at the island school’s Christmas Crafts Fair, two days ago. It’s a small, cozy affair, but it’s even more fun if you’re there with something to sell. This is one of the ornaments. I sold ten of the twenty I brought, so I felt contented with the day’s proceeds.

Today, Tuesday, it was a disorganized day. It began with a chimney fire, which is definitely NOT the way you want to start the morning out when it’s about 18 degrees outside and all your water barrels are frozen solid. But Bob dealt with it calmly and efficiently, and within half an hour the stovepipe was re-connected properly and the flames had stopped shooting out the top of the chimney. We didn’t even have to be cold for very long, before we could re-make the fire and consider the matter of coffee and toast.

But, it was too chilly to be really effective at anything, and we were still lazy from having had a couple of hectic days. We dinked around the house today, reheating the chickens’ water at intervals and doing odds and ends. Bob sharpened his chainsaw, I watched news videos from Nicaragua online, he made scalloped potatoes, I made poppyseed pound cake with brandied plum topping. Elaborate carbohydrates are an important part of how we get through winter.

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